Watch The Handmaiden full movie online free – Park goes back to the origins, with its cinema full of mystery, brutal but mostly exuberant. In his new film, Park, brings surely one of his best works, the plot is set in Korea in the thirties, in a time of Japanese occupation, and focuses on four main characters, Hideko, a Japanese heiress who lives isolated in the camp with Kouzuki, his domineering uncle, Sook-Hee, a newly hired maid, and a con artist who presents himself as Count Fujiwara to teach painting to Hideko. Being divided into 3 parts of lies and betrayals, the film has a huge camera work, abusing well-designed plans and space, both indoors and out, traveling through a mixture of English and Japanese architecture, the film is a breeze in the eyes of so beautiful, from the very accurate track, immersion in the beauty of Japanese erotic literature, the film explores well-developed characters, and of course, returns plot twist on plot twist, as the director knows well how to do, no doubt one of the best films of the year.
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The Handmaiden review by Ctowyi – Masterclass Cinema
This is hands down the most perfect film I have seen so far this year. I gave a score of 5/5 to movies like The Revenant, Spotlight and The Songs We Sang. But even with these excellent films I can always find a spot that doesn’t quite sit right with me. With The Handmaiden, it is perfect; every frame handcrafted to perfection. Even with 4min of explicit sex taken away by my country’s dumb censors, this is still perfect every way I see it.
Auteur Park Chan-Wook’s The Handmaiden is a superb exercise in form, structure and tone. With the latter, Park (Oldboy & Joint Security Area) has achieved something extraordinary. If any scene were to linger a few seconds longer or he had decided to focus on a certain issue, the film would have veered off to a different territory. As it is, and with all the major characters’ kooky off-kilter portrayals, I can’t pinpoint whether I was watching something real or abstract. I was also kept in awe by the intricate and resplendent set- design which suggests something dark and Gothic is working the undercurrents. There are of course some serious girl on girl action but that never encroaches into the spine of the story.
Adapting Sarah Waters’ Fingersmith, a Victorian tale awash with all manner of Dickensian motifs, Park spins an engrossing tale that ebbs and flows with a Hitchcockian suspense; it withholds as much as it discloses; it is an erotic tale that beats with raw fervour. It is at once a love story but also a menagerie showcasing human beings in their vilest forms. Park’s finger hovers over all the buttons, teasing us gleefully but it is with the ultimate restraint that he never descends down to the usual tropes. The story is divided into three chapters; each told from a different character’s perspective. The structure is Rashomon-esque but Park puts his own stamp on it. The film may be nearly 2.5 hours but I hardly moved in my seat; my senses kept spellbound as each twist hits me hard. When it ended I couldn’t believe 2.5 hours have whizzed by. The plot is pulsating and it never lets up. There is even an octopus in it! This is definitely the most perfect film I have seen this year. You may not agree with me but for me this is cinema of the masterclass level.
It’s sexy time!
The Handmaiden review by tenshi_ippikiookami – Just amazing
“The Handmaiden” is a crazily imaginative and beautiful movie by Chan-wook Park, who is at the top of his game in this story of a pickpocket that tries to steal the fortune of a naive, innocent rich woman that has been secluded in a mansion in the middle of nowhere. Of course, things will start to get complicated soon enough.
Chan-wook Park has done a great job in adapting the original novel by Sarah Waters, and mixing it with the history of the Japanese invasion of Korea at the beginning of the twentieth century. The plot is a little bit silly sometimes, but Chan-wook Park makes it all tight and fast-paced, and even the most silly moment becomes a moment of beauty and fun. From the first moment, the viewer will be enthralled by the story of these two women and their relationship, and every plot development will just add fun to the whole.
If the plot and the direction weren’t amazing enough, the movie is as beautiful as they come. From the darkest moment, the most violent, to the most intimate, beauty transpires in every frame, and every scene comes to life and threatens to pop and break free from the screen. This is helped by the amazing work of all the cast, who does an incredible job in bringing this tale to life (it could be criticized, though, some of the heavily accented Japanese, for characters that are supposed to be able to pass as them).
All in all, “The Handmaiden” is proof that a movie can have a plot, amazing direction, acting, scenery, craziness and the most beautiful package possible. And even if it is almost two hours and a half long, it feels like a breeze.
You will fall in love with this movie. Just plain great.
The Handmaiden review by Wcoleparks – Park Chan-wook crafts another masterpiece!
When going into a movie by one of your favorite directors, it is easy to set high expectations. Rarely does the film fully meet those expectations, but when it does it is something special. Such is the case with Park Chan-wook’s The Handmaiden (Mademoiselle). He has crafted an intricately woven tale of love and betrayal that highlights everything he can do so well from heightened sexual tension to gorgeous imagery.
The film, which is an adaptation of the novel The Fingersmith, revolves around a woman who is hired as a handmaiden to a Japanese heiress. This is the very basic summary to a film that has a lot of depth underneath the surface and requires the audience’s attention throughout the film. And as the plot goes on we discover the newly hired handmaiden may have some ulterior motives along with many of the other characters. Nothing is revealed too quickly and the film is split into a three-part structure that slowly pieces things together through flashbacks. It also uses a storytelling device that is typically owned by Tarantino where the same scene is shown from multiple perspectives and each adds a new layer to the story. All of these devices are used to full effect and create surprising twists on par with Park Chan-wook’s Oldboy.
What is immediately apparent from the start of the film is how well Park Chan-wook’s aesthetic fits into the time period. His eye for gorgeous shots and camera angles makes the house in the film look like a work of art. The grounds around the house are also highlighted so well. Wide shots and lingering camera movements let you appreciate every little detail on screen and marvel at the beauty of it all.
The score also fits in perfectly with the time period. It is never bombastic and always subtle, and perfectly captures the mood and feeling of each scene. Whether an intimate moment between the two women or a heated exchange between characters it’s hard to realize how great the score is because of how organic it feels.
Framing is also a very important addition to the story. Through the use of mirrors and reflections, Park Chan-wook suggests the double-sided nature of the characters. Also, he often obstructs part of the frame with an object and hides characters behind walls or glass to suggest we may not really see everything that is going on before us. This aspect of the film in particular I feel will only get better with subsequent viewing when you can understand all of characters motivations and desires.
One thing that Park Chan-wook did so well with Stoker was creating a palpable feeling of sexual tension without using nudity or anything overtly sexual. In this film he succeeds with that throughout the entire film. Every look and every glance the two woman share conveys a longing and desire that permeates the whole film. In this film however, he continues that passion past suggestion into full on sex. There are multiple scenes with extended nudity but they are all filmed so artfully and sympathetically it always feels warranted. The scenes never feel awkward or exploitative and always are tasteful and almost poetic. Somehow despite what I was watching I still found myself admiring the camera-work and beautiful cinematography.
One thing that surprised me in the film and I have not seen in Park Chan-wook’s other work is the humor. It was never slapstick and usually more circumstantial, but the whole audience laughed out loud on numerous occasions. He showed a surprisingly great understanding of timing and every joke landed. One scene in particular dealt with suicide and could have come across as insensitive or callous. Due to the perfect timing, it was hilarious and even further developed the relationship between the characters.
During the last act of the film, it does get unusually violent. There is a torture scene that seems out of place with the rest of the film. Though effective in its own right and thoroughly thrilling, it didn’t sit right with me due to how subtle the rest of the film had been.
This is a film that really stays with you and will take multiple viewing to really appreciate the complex story. The first film I have seen in a long time where I continued to think about it throughout the day and had multiple conversations about all aspects of the film. With The Handmaiden, Park Chan-wook has crafted a film that fully displays the craft and technical prowess he can show and it includes a story that that only gets better the more you think about it.
The Handmaiden (2016) Directed by: Park Chan-wook Screenplay by: Seo-Kyung Chung, Park Chan-wook Starring: Jung-woo Ha, Min-hee Kim, Jin-woong Jo, Tae Ri Kim Run Time: 2 hour 25 minutes
The Handmaiden review by Stijak91 – Tour De Force!
The controversial film from Korean master Chan-wook Park evokes the sexiness of Abdellatif Kechiche’s “Blue is the Warmest Colour” and Park’s own signature violence and thrills. Set in the 1930s Japanese occupied Korea, it’s a story of a young female pickpocket (Kim Tae-ri) who becomes a handmaiden to a beautiful Japanese heiress (Min-hee Kim). However, she must manage to convince the heiress to marry a conman (Jung-woo Ha) who poses as a count, for which she will get a chance for a better life. She gets into a moral dilemma when she starts developing feelings for the heiress.
The Handmaiden is a triumph on every level. The film is divided into three chapters, all giving different perspective. This way, the story is perfectly structured to give more and more insight as the film progresses, but at the same time, keep the viewers guessing. It offers a few surprises along the way as well. Visually, it’s a feast for the eyes. The term “every frame a painting” gets overused, but it really fits here. I’m not only talking about cinematography, which offered plenty of memorable shots and beautiful scenery, but the costume and set design. The three leads all gave terrific performances. Musical score by Yeong-wook evokes, or better said, amplifies the emotions and the suspenseful tone. Despite the run time of 2 hours and 24 minutes, it never gets dull, it’s very evenly paced throughout. I couldn’t look away for a second.
One thing needs to be addressed, the film is quite explicit. That being said, it never gets vulgar, the sex scenes are done in perfect taste, they never feel out of place and they’re not there just for the sake of it. The relationship between the characters and the physical presentation of it are integral to the film. It’s a film about passion, abuse, jealousy, betrayal and deception, but most of all, it’s an atypical love story, which will make one love and hate the protagonists at the same time. It’s original and daring work of art that will stick with viewers long after it’s finished.
Whenever Chan-wook Park makes a film, it must undoubtedly be compared to his masterpiece, “Oldboy”. I don’t think that “The Handmaiden” surpasses it, but it comes very close. With this film, he proved himself to be one of the greatest working directors today. It’s the best film I’ve seen this year, one that I can’t wait to revisit. It’s not to be missed.