Watch Allied full movies online free – To me it’s surprisingly a good movie considering it’s a romantic movie. Those are normally not the movies I go for. Well romance is a big word because there is also plenty of action, as it is also a war movie. The best part of the movie is the chemistry between Brad Pitt and Marion Cotillard. Starting as a casual professional encounter it grows deeper as the movie goes on. Without revealing anything about the movie their relationship gets rocky at one point due to certain circumstances. At this part there are some interesting intrigues that make you want to see the rest of the movie to get answers. The cast of the movie is just top notch. Brad Pitt and Marion Cotillard have nothing to prove anymore. They are both great actors and in Allied it just shows. The action scenes and all the rest of the movie are very well shot. It couldn’t be more professional. A good story, great acting, everything you want when you watch a movie. Certainly worth a watch
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Allied review by RLTerry1 – Duplicitous and Suspenseful!
Quite the duplicitous plot! Robert Zemeckis’ Allied released by Paramount Pictures is a thrilling tale of espionage and love. We have certainly seen a few different “spy” movies over the last couple of years; some more about espionage and others more about the drama that ensues afterwards. Fortunately, Allied feels like a genuine spy movie that actually contains espionage. The production design and costumes are a beautiful throwback to the fabulous 40s. You’ll find yourself reaching for a glass of champagne and swing dancing to Benny Goodman’s timeless big band jazz hit Sing, Sing, Sing. There is one city synonymous with WWII, espionage, and romance and you will appropriately return to that iconic city of Casablanca in Allied. This is definitely not a reimagined Casablanca but there are indirect references to that movie sprinkled throughout this new story. Films like this one require top notch talent, and both Brad Pitt and Marion Cotillard deliver outstanding performances to accompany this staple in film genres. Not limited to the love story between Pitt’s and Cotillard’s respective characters, the movie also includes some deadly shootout scenes and dangerously close encounters with the Nazis behind enemy lines.
Commander and intelligence officer Max Vatan (Pitt) is stationed in the famous city of Casablanca in French Morocco where he teams up with French resistance movement leader Marianne Beausejour (Cotillard). Impressed by her ability to so effectively blend in and create her authentic cover, Vatan soon finds himself falling in love with his partner. Following the assassination of a Nazi ambassador, Beausejour and Vatan flee to London to start their life together. Everything is going beautifully for the happy couple in their second year of marriage with a child when Vatan’s superiors confront him with the suspicion that Marianne is in fact a Nazi spy. Refusing to believe it to be true, Max must now conduct his own investigation into his wife’s history to protect the ones he loves so dearly.
I absolutely adored the look and feel of the film as it echoes the era of the Golden Age of Hollywood. Although this movie plays off a tad listless as a result of failing to elicit a strong emotional response from the audience, it is not without it outstanding elements. It benefits from solid acting and beautiful cinematography as well as some fantastic symbolism. Robert Zemeckis’ talent for visual storytelling is clearly visible in this period film. The weakness in the ability to successfully leave a lasting emotional impact on the audience is in the writing and executive producership of Steven Knight (Eastern Promises). For films that are not as much about the spectacle as they are the drama between characters and the challenge faced therein, it is vitally important that the personal/interpersonal relationships transcend the screen and directly impact the audience. All the makings were there for a deeply moving cinematic story, but it just doesn’t quite make that transition from the mostly superficial and distant.
Mirror, mirror, on the wall…(interesting fun fact: this misquoted line from Snow White is actually “magic mirror on the wall”). But, I digress. The strategic use of mirrors is an incredible use of visual storytelling and symbolism. For those who have studied film or literary rhetoric, the mirror is a classic means of conveying duplicity (two sides, faces, etc of a character). Even without knowing that this was a spy movie, I would have been able to infer that from how the mirrors are shot and placed within the composition of the 24 frames a second. When using powerful symbolism as part of the visual story, it conveys so much more meaning in a scene than words could actually describe. Mirrors have long sense been a powerful metaphor even before moving pictures. But motion pictures allow for a greater use of the importance it plays in a cinematic story. Not limited to duplicity, mirrors can also be used as a metaphor for self-reflection. Whether talking duplicity or reflection, the mirror aids in conveying so much to the audience in this movie.
Ordinarily, I am not a fan of classic films getting remakes; however, there are always exceptions when the core or essence of the film is held in tact but the production design, direction, and cinematography are brought up to speed with contemporary cinema. If you’re a fan of WWII era films or the timeless spy movie, then you will definitely enjoy Allied. After witnessing the significance of Casablanca in this movie, I am actually looking forward to a remake if there ever is one. Provided. That the overall look and feel of the movie is in line with classical motion picture storytelling. I could definitely see Robert Zemeckis directing a remake of Casablanca. Occasionally there are directors who can strike the balance between classical cinematic storytelling told through contemporary technology, and Zemeckis definitely struck that balance in Allied.
Don’t allow the weak writing to dissuade you from watching it; there is actually a lot to enjoy in this film. After the slow burn during the first act, acts II and III are full of intrigue and suspense.
Allied review by Anna Tole – Surprising
I had high hopes for this movie because of Robert Zemeckis, Brad Pitt, and Marion Cotillard. I definitely went into it prepared for a WWII movie, full of action and special effects. And to be clear, this movie certainly DOES have action and special effects (what Zemeckis film doesn’t?), but it goes beyond that.
The actions scenes, when they do happen, are well choreographed and fun to watch. They also earn the movie it’s rating, and are brutal but not overbearing. Marion and Brad are both convincing, proving to the audience that they are well- trained spies who don’t hesitate to kill.
Something I found very interesting about this movie is that while it’s not primarily a war film, it did provide a very interesting look at what life was like for people. This was a time when people partied like the world was ending. Drinks, drugs, sex, etc. But this was also a time when people sometimes watched planes get shot out of the sky. It’s a fascinatingly personal way of portraying the war, and the people living through it.
The special effects are stunning, Zemeckis seamlessly blending reality and effects. Many scenes are simply breathtaking. It’s puzzling how the movie manages to be both classic and modern.
As I mentioned though, this movie is more than just war and special effects. By the end, there are a few clear themes; putting what’s best for those you love above your own needs, and trying your hardest to believe the best of/trust those closest to you. Even if it means you have to break some rules, or even put your own life on the line.
The ending, which some say is overly-sentimental, hit a chord that worked for me. It showed the lengths people go to to protect their family. However people complain about the Forest Gump ending, and that one makes me cry almost every time I see it. So if I’m in the minority here, I’m not at all surprised.
One last thing that I thought this movie did very well, was showing just how difficult it would truly be for spies to fall in love. For the first half of the movie, the two are basically brought together and drawn to each other because of their abilities. They live, supposedly, very similar lives. They are evenly matched. They fit together in every sense because of their mastery of espionage. And yet, once the twist comes along, that same mastery of espionage is what tears them apart. Marion’s ability to lie, once a great asset, is now their greatest enemy. It’s a wonderful way to weave the story together, and makes for some excellent tension as well as irony.
Overall, Allied is absolutely a mix. It has espionage, it has war, it has assassinations, it has parties, it has family, it has romantic/steamy (quite steamy, might I add) moments, it has costumes and scenery, it has a mystery to be solved, etc. And some of these things it does magnificently. Some of these things it does just well-enough. But it does it all. Which is more than can be said for most movies these days.
This movie certainly deserves the R rating. There is nudity, multiple sex scenes, a decent amount of violence, language, drugs.
If you are a fan of classic movies, watch it. Is it perfect? No, it certainly has weak points and flaws. But overall I was thoroughly entertained by it. It kept me on the edge of my seat, and I will definitely be buying this on Blu-Ray, hopefully with lots of insight into how this film was made and what technologies Zemeckis used.
Allied review by TheLittleSongbird – A wartime romance that could have been epic, but didn’t quite make it
‘Allied’ has garnered a mixed reaction, on IMDb and with critics in general. This is completely understandable, and the mixed reaction and the reasoning for it mirrors my own feelings for the film. ‘Allied’ is not a bad film, but from seeing the trailers (which strongly suggested a film that would be more epic, more moving and more thrilling) to be honest was expecting a lot more.
There is a lot to like about ‘Allied’. Visually, it is a gorgeous film. The cinematography is rich in atmosphere and colour and is quite poetic too, while the sets, scenery and costumes are evocative and eye-catching. The music by Alan Silvestri is neither too intrusive or too low-key, instead stirring when it needs to be and understated again when needed. There are some thrilling and harrowing moments as well as some poignant ones in the more intimate scenes, personally thought the controversial ending was quite emotional but can definitely see why it won’t work for some.
Marion Cotillard gives a nuanced and deeply felt turn, nothing short of sensational. Brad Pitt’s performance has been criticised (as well as defended), to me it was appropriately stoic, despite his character being nowhere near as meaty as Cotillard’s, and he was a worthy partner for Cotillard, a little cold in places but mostly fiery. The supporting cast are fine.
On the other hand, the script and pacing are uneven. The script is ‘Allied’s’ biggest flaw, lacking plausibility in places, especially in the mission scenes, having too much padding that’s overlong and adds little to nothing and some of the parts intended to be emotional laid it on too thick with the treacle and sentimentality. Much more could have been done with the psychological subtext, which would have made Pitt’s character more interesting and given the story more consistent suspense and thrills.
Pacing does drag badly frequently, primarily due to having superfluous scenes that lacked momentum and went on too long and also due to Robert Zemeckis’ quite disappointing direction. There are moments, but it is a case of getting the job done but in a workmanlike and tame fashion, not the thrills and cleverness one expects from Zemeckis that is present in the best of his work.
In summary, had potential to be epic as a wartime romance, but doesn’t quite make it. Many great things, but a few big things that got in the way of fulfilling full potential.
Allied review by Dierregi – Classy story of war, spying, love and family
A Franco/Canadian secret mission is an unusual twist for a WWII story. This and the setting of the first part of “Allied” reminded me of “The English Patient”. Canadian Max (Pitt) is sent to Casablanca for a dangerous mission. Marianne (Cotillard) is the French agent already in place to help him.
Out of the desert and in London, “Allied” moves into a different territory, albeit still with plenty of style. Max and Marianne’s wartime romance in exotic settings turns into a real family, but doubts arise about Marianne’s identity.
London during the war as the main setting for two thirds of the movie looked very realistic. I did not mind what could be the historical inaccuracy of the Blitz, because the bombing added a layer of drama to the story.
I particularly liked the scene during the party, with Sing, Sing Sing playing in the background. It is a slightly menacing tune and it complemented perfectly the atmosphere of tension, suspicion and slight desperation.
Even if I have never been a Brad Pitt fan, he did a good job playing quiet Max, a man of a few words who sees his new world disintegrating. One can easily imagine him as a long-term bachelor falling for the beautiful, brave French partisan. Cotillard was also convincing as the ambiguous “femme fatale”. Contrary to what some reviewers wrote, plenty of chemistry between the two, but also tenderness.
If you like movies with a solid plot, linear storytelling, believable characters, difficult choices, great costumes and soundtrack, then you should like this.
Allied review by bulldog_6450 – Cliché and underdeveloped
There was no plot twist although there were several places for a plot twist. If you saw the trailer, you saw the movie. Also, the break from the period setting to give modern values with no point. The introduction of a sister to Brad Pitt’s character, who is openly a lesbian. This would NEVER happen in the 1940s as homosexuality was against the law and they were greatly disdained by the public. It is a completely pointless distraction from the period setting. Another goof, German Army officers wearing Nazi armbands. I was beginning to think Quinton Tarantino made this movie. Another example of how Hollywood cannot make a period movie without sabotaging their own production.
Allied review by j1stoner – Better than I Expected
You may have seen the preview for this movie; I would say that that does not fully prepare you for the actual movie. It is a movie that will appeal to adults, both men and women, and it includes romance, sacrifice, and plenty of action and spy hi jinks.
A very good script, with some great plot turns, and superior acting from both Marion Cotillard and Brad Pitt in complex, challenging roles. My favorite bit: when they make love in a car in the Moroccan desert with a sandstorm going on all around them. It is a good metaphor for their love story in the midst of the great chaos of World War II. And it has a realistic feel, for the most part–for the sets in Casablanca (some good homage to the Bogart film, I would say also some Brando homage in parts of Pitt’s performance), and the time back in the UK (second favorite bit is during a party in London). One does get the sense of the all-out effort demanded to win the war, something we do well to commemorate in these days when the last veterans of that most epic event in history are at death’s door.
It is a Zemeckis film, from the school of film-making of Steven Spielberg, and that means your emotions are subject to the whim and whimsy of the director’s manipulation. Sometimes you are aware of that, but oftentimes you are not, and that makes it better (than, say, Forrest Gump).
I will take the movie as a whole and suggest Oscar nominations for original screenplay and both leading roles.